Tag: <span>China</span>

White Paper: The Internet in China

Released by: 
Information Office of the State Council of the People’s Republic of China

On 8 June 2010

Contents

 

互联网著作权行政保护办法中英文版

Administrative Protection of Copyright on the Internet

互联网著作权行政保护办法

Promulgated by the National Copyright Administration and the Ministry of Information Industry on 29 April 2005 and effective as of 30 May 2005 (Order No. 5, 2005).

国家版权局、信息产业部2005年4月29日颁布,5月30日生效(国家版权局、国信息产业部令2005年第5号)

Article 1 These Procedures have been formulated in accordance with the PRC, Copyright Law and the relevant laws and administrative regulations in order to strengthen the administrative protection of the right of transmission on information networks in internet information services and to standardize administrative enforcement acts.

第一条  为了加强互联网信息服务活动中信息网络传播权的行政保护,规范行政执法行为,根据《中华人民共和国著作权法》及有关法律、行政法规,制定本办法。

Article 2 These Procedures shall apply to functions such as uploading, storing, linking or searching of the contents of works or audio and video products that are provided automatically on the internet in internet information services according to the commands of an internet content provider, without any editing, revision or selection of the stored or transmitted contents.

Where internet contents are directly provided in internet information services, the Copyright Law shall apply.

For the purposes of these Procedures, an “internet content provider” is an online user that publishes the relevant contents on the internet.

第二条  本办法适用于互联网信息服务活动中根据互联网内容提供者的指令,通过互联网自动提供作品、录音录像制品等内容的上载、存储、链接或搜索等功能,且对存储或传输的内容不进行任何编辑、修改或选择的行为。

    互联网信息服务活动中直接提供互联网内容的行为,适用著作权法。

    本办法所称“互联网内容提供者”是指在互联网上发布相关内容的上网用户。

Article 3 Copyright administrative departments at all levels shall carry out administrative protection of the right of transmission on information networks in internet information services in accordance with laws, administrative regulations and these Procedures. The State Council department in charge of information industry and the telecommunications administrative authorities of each province, autonomous region and municipality directly under the central government shall cooperate with such work in accordance with the law.

中国1990著作权法中英文版

NOTE: Please DO NOT quote this text for current legal cases because it has been amended tremendously twice by the 2001 Amendment of Copyright Law and the 2010 Amendment of  Copyright Law. I republish it hereby merely for the purpose of historical ressearch.

注意:本法已在2001年 和2010年被两次修订,许多条文已经改变,不能再适用。我贴在这里只是为了方便历史研究的回顾。

Judicial Mediation – A Deprofessionalization?

ON 15 AND 16 APRIL 2009, CityU of HK Law School held an international conference on the mediation. Experts from China, Hong Kong, Australia and Macau presented their latest academic outputs in the meeting.

 

The interesting thing is: Most Chinese experts are focusing on the judicial mediation, which is the mediation coordinated, and in many circumstances initiated, by judges during the litigations. Experts in other jurisdictions, by contrary, tends to discuss the mediation out of the court.

 

Positive Analysis to the Illegal Works in China

Copyrightable or Not: A Positive Review of illegal Works under China’s Copyright Law and Suggestions to the Legal Reform

GU Minkang & DONG Hao

Abstract:

Abstract: This article reviews the copyright dilemma of illegal works in the context of Chinese copyright system. Under the current law, not merely the works with illegal content, but also the works did not fulfill the procedural requirement will be denied the copyright protection. Article 4(1) may find legitimacy in the domestic level, but does not comply with the WTO law. The three criteria in Article 13 of TRIPS Agreement can be applied to examine Article 4(1). The key problem lies in the uncertainty of the scope of denial of copyright. This leads to the Super-national Treatment. Based on these analyses, the last part of the article proposed some suggestions for the future legal reform.

An Academic Interview == 一次学术访谈

我按:一位在欧洲做知识产权研究的朋友发给我一些有关中国知识产权执法的问题,以下选取其中一些贴出来。为了方便阅读,他的问题和我的回答都是中英双语的。
Note: A friend doing research in Europe sent me some questions on Chinese IP implementation. Here are some selected answers. To facilitate reading, both his questions and my answers are bilingual here.

———————————————————- 

1. It is in many occasions argued that the confucian philosophy and its impact on the Chinese culture is one of the major factors that IPRs in China are so hard to implement. This doctrine argues that if one want to achieve excellence, he must imitate the works of the one who is doing the best work in that specific field. What are your views on this explanation on IPRs infringements?

很多人认为儒家哲学及其对中国文化的影响是知识产权难以在中国得到保障的原因之一。因为儒家哲学中认为,如果一个人希望成功,他就应当模仿他的行业中最优秀的人的作品。对这一观点,你怎么看?

Eng Trans of Copyright Law and Regulation of PRC

中国《著作权法》和《著作权法实施条例》英文版。随时要用,懒得找数据库,干脆Copy出来。

Copyright Law of People’s Republic of China

http://www.npc.gov.cn/englishnpc/Law/2007-12/12/content_1383888.htm

(Adopted at the 15th Meeting of the Standing Committee of the Seventh National People’s Congress on September 7, 1990 and promulgated by order No.31 of the President of the People’s Republic of China on September 7, 1990; amended according to the Decision on Amending the Copyright Law of the People’s Republic of China at the 24th Meeting of the Standing Committee of the Ninth National People’s Congress on October 27, 2001)

Contents

Chapter I General Provisions

Chapter II Copyright

Section 1 Copyright Owners and Their Rights

Section 2 Ownership of Copyright

Section 3 Term of Protection for the Rights

Section 4 Limitations on Rights

Chapter III Copyright Licensing and Transfer Contracts

Chapter IV Publication, Performance, Sound Recording, Video Recording and Broadcasting

Section 1 Publication of Books, Newspapers and Periodicals

Section 2 Performance

Section 3 Sound Recording and Video Recording

Section 4 Broadcasting by a Radio Station or Television Station

Chapter V Legal Liabilities and Enforcement Measures

Chapter VI Supplementary Provisions

Chapter I General Provisions

Article 1 This law is enacted, in accordance with the Constitution, for the purpose of protecting the copyright of authors in their literary, artistic and scientific works and the rights and interests related to copyright, encouraging the creation and dissemination of works conducive to the building of a socialist society that is advanced ethically and materially, and promoting the progress and flourishing of socialist culture and sciences.

Article 2 Chinese citizens, legal entities or other organizations shall, in accordance with this Law, enjoy the copyright in their works, whether published or not.

The copyright enjoyed by foreigners or stateless persons in any of their works under an agreement concluded between China and the country to which they belong or in which they have their habitual residences, or under an international treaty to which both countries are parties, shall be protected by this Law.

Foreigners and stateless persons whose works are first published in the territory of China shall enjoy the copyright in accordance with this Law.

Any work of an author of a country that has not concluded any agreement with China or that is not a party to any international treaty to which China is a party and any work of a stateless person, which is first published in a member country of an international treaty to which China is a party, or simultaneously published in a member country of the treaty and in a non-member country, shall be protected by this Law.

Article 3 For purposes of this law, the term "works" includes, among other things, works of literature, art, natural sciences, social sciences, engineering and technology, which are created in any of the following forms:

(1) written works;

(2) oral works;

(3) musical, dramatic, quyi, choreographic and acrobatic works;

(4) works of the fine arts and architecture;

(5) photographic works;

(6) cinematographic works and works created by a process analogous to cinematography;

(7) graphic works such as drawings of engineering designs and product designs, maps and sketches, and model works;

(8) computer software; and

(9) other works as provided for in laws and administrative regulations.

Article 4 Works the publication and dissemination of which are prohibited by law shall not be protected by this Law.

In exercising their copyright, no copyright owners may violate the Constitution or laws, nor may they impair public interests.

Article 5 This Law shall not be applicable to:

(1) laws and regulations, resolutions, decisions and orders of State organs, other documents of a legislative, administrative or judicial nature and their official translations;

(2) news on current affairs; and

(3) calendars, numerical tables and forms of general use, and formulas.

Article 6 Measures for the protection of copyright in works of folk literature and art shall be formulated separately by the State Council.

Article 7 The administrative department for copyright under the State Council shall be responsible for the administration of copyright nationwide. The administrative departments for copyright under the people’s governments of provinces, autonomous regions and municipalities directly under the Central Government shall be responsible for the administration of copyright in their respective administrative regions.

Article 8 Copyright owners or owners of the rights related to the copyright may authorize collective copyright administration organizations to exercise their copyright or rights related to the copyright. Upon authorization, a collective copyright administration organization may exercise the copyright or the rights related to the copyright in its own name for the copyright owner or the owner of the rights related to the copyright and participate as a party in legal or arbitration proceedings concerning the copyright or the rights related to the copyright.

Collective copyright administration organizations are non-profit organizations, and regulations concerning the way of their establishment, their rights and obligations, their collection and distribution of copyright licensing fees, and their supervision and administration shall be formulated separately by the State Council.

Chapter II Copyright

Section 1 Copyright Owners and Their Rights

Article 9 Copyright owners include:

(1) authors; and

(2) other citizens, legal entities and other organizations enjoying the copyright in accordance with this Law.

Article 10 Copyright includes the following personal rights and property rights:

(1) the right of publication, that is, the right to decide whether to make a work available to the public;

(2) the right of authorship, that is, the right to claim authorship in respect of, and to have the author’s name mentioned in connection with, a work;

(3) the right of revision, that is, the right to revise or authorize others to revise a work;

(4) the
right of integrity, that is, the right to protect a work against distortion and mutilation;

(5) the right of reproduction, that is, the right to produce one or more copies of a work by printing, photocopying, lithographing, making a sound recording or video recording, duplicating a recording, or duplicating a photographic work, or by other means;

(6) the right of distribution, that is, the right to provide the original copy or reproductions of a work to the public by selling or donating;

(7) the right of rental, that is, the right to authorize others to use temporarily a cinematographic work or a work created by a process analogous to cinematography, or computer software, except where the software itself is not the essential object of the rental;

(8) the right of exhibition, that is, the right to publicly display the original copy or reproductions of a work of the fine arts or of a photographic work;

(9) the right of performance, that is, the right to publicly perform a work, and to publicly communicate the performance of a work by any means or process;

(10) the right of presentation, that is, the right to publicly present a work of the fine arts, a photographic work, a cinematographic work, a work created by a process analogous to cinematography, or other works, by projector, slide projector or any other technology or instrument;

(11) the right of broadcasting, that is, the right to broadcast a work or disseminate it to the public by any wireless means, to communicate the broadcast of a work to the public by wire or by rebroadcasting, and to publicly communicate the broadcast of a work by loudspeaker or any other analogous instrument transmitting signs, sounds or images;

(12) the right of communication through information network, that is, the right to make a work available to the public by wire or by wireless means, so that people may have access to the work from a place and at a time individually chosen by them;

(13) the right of cinematography, that is, the right to fix an adaptation of a work in a medium by cinematography or a process analogous to cinematography;

(14) the right of adaptation, that is, the right to change a work into a new one with originality;

(15) the right of translation, that is, the right to change the language in which the work is written into another language;

(16) the right of compilation, that is, the right to compile by selection or arrangement preexisting works or passages therefrom into a new work; and

(17) other rights to be enjoyed by copyright owners.

Copyright owners may authorize others’ exercising of the rights provided for in Subparagraph (5) through Subparagraph (17) of the preceding paragraph and receive remuneration in accordance with the terms of contracts or the relevant provisions in this Law.

Copyright owners may transfer, wholly or in part, the rights provided for in Subparagraph (5) through Subparagraph (17) of the first paragraph in this Article and receive fees in accordance with the terms of contracts or the relevant provisions in this Law.

Section 2 Ownership of Copyright

Article 11 Except where otherwise provided for in this Law, the copyright in a work shall belong to its author.

The author of a work is the citizen who creates the work.

Where a work is created under the auspices and according to the intention of a legal entity or other organization, which bears responsibility for the work, the said legal entity or organization shall be deemed to be the author of the work.

The citizen, legal entity or other organization whose name is mentioned in connection with a work shall, in the absence of proof to the contrary, be deemed to be the author of the work.

Article 12 Where a work is created by adaptation, translation, annotation or arrangement of a preexisting work, the copyright in the work thus created shall be enjoyed by the adapter, translator, annotator or arranger, provided that the exercise of such copyright does not prejudice the copyright in the preexisting work..

Article 13 Where a work is created jointly by two or more authors, the copyright in the work shall be enjoyed jointly by the co-authors. No co-authorship may be claimed by anyone who has not participated in the creation of the work.

Where a work of joint authorship can be separated into parts and exploited separately, each co-author may be entitled to independent copyright in the part that he creates, provided that the exercise of such copyright does not prejudice the copyright in the joint work as a whole.

Article 14 A collection of preexisting works or passages therefrom, or of data or other material which does not constitute a work, if manifesting the originality of a work by reason of the selection or arrangement of its contents, is a compilation. The copyright in such compilation shall be enjoyed by the compiler, provided that the exercise of such copyright does not prejudice the copyright in the preexisting works.

Article 15 The copyright in a cinematographic work or in a work created by a process analogous to cinematography shall be enjoyed by the producer of the work, while its scriptwriter, director, cameraman, lyricist, composer and other authors shall enjoy the right of authorship therein and shall be entitled to receive remuneration in accordance with the terms of the contracts concluded between them and the producer.

The authors of the script, the musical works and the other works which are included in a cinematographic work or in a work created by a process analogous to cinematography and which can be exploited separately shall be entitled to exercise their copyright independently.

Article 16 A work created by a citizen in the fulfillment of tasks assigned to him by a legal entity or other organization is a work created in the course of employment. Subject to the provisions of the second paragraph of this Article, the copyright in such work shall be enjoyed by the author; however, the legal entity or other organization shall have priority to exploit the work within the scope of its professional activities. Within two years after the completion of the work, the author may not, without the consent of the legal entity or other organization, authorize the exploitation of the work by a third party in the same manner as the legal entity or other organization exploits the work.

In any of the following cases, the author of a work created in the course of employment shall enjoy the right of authorship, while the legal entity or other organization shall enjoy the other rights included in the copyright and may reward the author:

(1) drawings of engineering designs and product designs, maps, computer software and other works which are created in the course of employment mainly with the material and technical resources of the legal entity or other organization and for which the legal entity or other organization bears responsibility;

(2) works created in the course of employment the copyright in which is, in accordance with laws, administrative regulations or contracts, enjoyed by the legal entity or other organization.

Article 17 The ownership of t
he copyright in a commissioned work shall be agreed upon in a contract between the commissioning and the commissioned parties. In the absence of such a contract or of an explicit agreement in such a contract, the copyright in the work shall belong to the commissioned party.

Article 18 The transfer of ownership of the original copy of a work of the fine arts or other works shall not be deemed to include the transfer of the copyright in such work or works; however, the right to exhibit the original copy of the work of the fine arts shall be enjoyed by the owner of the original copy.

Article 19 Where the copyright in a work belongs to a citizen, the rights as provided for in Subparagraph (5) through Subparagraph (17) of the first paragraph in Article 10 of this Law in respect of the work shall, after his death and during the term of protection provided for in this Law, be transferred in accordance with the provisions of the Law of Succession.

Where the copyright in a work belongs to a legal entity or other organization, the rights provided for in Subparagraph (5) through Subparagraph (17) of the first paragraph in Article 10 of this Law shall, after the change or the termination of the status of the legal entity or other organization and during the term of protection provided for in this Law, be enjoyed by the succeeding legal entity or other organization which takes over the former’s rights and obligations, or, in the absence of such succeeding entity or organization, by the State.

Section 3 Term of Protection for the Rights

Article 20 No time limit shall be set on the term of protection for an author’s rights of authorship and revision and his right to protect the integrity of his work.

Article 21 In respect of a work of a citizen, the term of protection for the right of publication and the rights as provided for in Subparagraph (5) through Subparagraph (17) of the first paragraph in Article 10 of this Law shall be the lifetime of the author and fifty years after his death, expiring on December 31 of the fiftieth year after his death. In the case of a work of joint authorship, the term shall expire on December 31 of the fiftieth year after the death of the last surviving author.

In respect of a work of a legal entity or other organization or a work which is created in the course of employment and the copyright (except the right of authorship) in which is enjoyed by a legal entity or other organization, the term of protection for the right of publication and the rights as provided for in Subparagraph (5) through Subparagraph (17) of the first paragraph in Article 10 of this Law shall be fifty years, expiring on December 31 of the fiftieth year after the first publication of such work; however, such work shall no longer be protected under this Law if it is not published within fifty years after the completion of its creation.

In respect of a cinematographic work, a work created by a process analogous to cinematography or a photographic work, the term of protection for the right of publication and the rights as provided for in Subparagraph (5) through Subparagraph (17) of the first paragraph in Article 10 of this Law shall be fifty years, expiring on December 31 of the fiftieth year after the first publication of such work; however, such work shall no longer be protected under this Law if it is not published within fifty years after the completion of its creation.

Section 4 Limitations on Rights

Article 22 In the following cases, a work may be used without permission from, and without payment of remuneration to, the copyright owner, provided that the name of the author and the title of the work are mentioned and the other rights enjoyed by the copyright owner in accordance with this Law are not prejudiced:

(1) use of another person’s published work for purposes of the user’s own personal study, research or appreciation;

(2) appropriate quotation from another person’s published work in one’s own work for the purpose of introducing or commenting a certain work, or explaining a certain point;

(3) unavoidable inclusion or quotation of a published work in the media, such as in a newspaper, periodical and radio and television program, for the purpose of reporting current events;

(4) publishing or rebroadcasting by the media, such as a newspaper, periodical, radio station and television station, of an article published by another newspaper or periodical, or broadcast by another radio station or television station, etc. on current political, economic or religious topics, except where the author declares that such publishing or rebroadcasting is not permitted;

(5) publishing or broadcasting by the media, such as a newspaper, periodical, radio station and television station of a speech delivered at a public gathering, except where the author declares that such publishing or broadcasting is not permitted;

(6) translation, or reproduction in a small quantity of copies of a published work by teachers or scientific researchers for use in classroom teaching or scientific research, provided that the translation or the reproductions are not published for distribution;

(7) use of a published work by a State organ to a justifiable extent for the purpose of fulfilling its official duties;

(8) reproduction of a work in its collections by a library, archive, memorial hall, museum, art gallery, etc. for the purpose of display, or preservation of a copy, of the work;

(9) gratuitous live performance of a published work, for which no fees are charged to the public, nor payments are made to the performers;

(10) copying, drawing, photographing or video-recording of a work of art put up or displayed in an outdoor public place;

(11) translation of a published work of a Chinese citizen, legal entity or other organization from Han language into minority nationality languages for publication and distribution in the country; and

(12) transliteration of a published work into braille for publication.

The provisions of the preceding paragraph shall be applicable also to the rights of publishers, performers, producers of sound recordings and video recordings, radio stations and television stations.

Article 23 Except where the author declares in advance that use of his work is not permitted, passages from a work, a short written work, musical work, a single work of the fine arts or photographic work which has been published may, without permission from the copyright owner, be compiled in textbooks for the purpose of compiling and publishing textbooks for the nine-year compulsory education and for national education planning, provided that remuneration is paid, the name of the author and the title of the work are mentioned, and the other rights enjoyed by the copyright owner in accordance with this Law are not prejudiced.

The provisions of the preceding paragraph shall be applicable also to the rights of publishers, performers, producers of sound recordings and video recordings, radio stations and television stations.

Chapter III Copyright Licensing and Transfer Contracts

Article 24 Anyone who exploits another person’s work shall conclude a copyright licensing contract with the copyright owner, except where no permission need be obtained under this Law
.

A licensing contract shall include the following main points:

(1) the category of the right to exploit the work covered by the license;

(2) the exclusive or non-exclusive nature of the right to exploit the work covered by the license;

(3) the territory and the term covered by the license;

(4) the rates of remuneration and the means of payment;

(5) the liabilities in the case of breach of the contract; and

(6) other matters which the parties consider it necessary to agree upon.

Article 25 Anyone who transfers any of the rights provided for in Subparagraph (5) through Subparagraph (17) of the first paragraph in Article 10 of this Law shall conclude a written contract.

A copyright transfer contract shall include the following main points:

(1) the title of the work;

(2) the category of the right to be transferred and the territory covered by the transfer;

(3) the rates of the transfer fee;

(4) the date and the means of payment of the transfer fee;

(5) the liabilities in the case of breach of the contract; and

(6) other matters that the parties consider it necessary to agree upon.

Article 26 The other party may not, without permission from the copyright owner, exercise any right that is not explicitly licensed or transferred by the copyright owner in the contract.

Article 27 The rates of remuneration for the exploitation of a work may be agreed upon by the parties and may also be paid in accordance with the rates fixed by the administrative department for copyright under the State Council in conjunction with the other departments concerned. In the absence of an explicit agreement in the contract, the remuneration shall be paid in accordance with the rates fixed by the said department under the State Council in conjunction with the other departments concerned.

Article 28 No publishers, performers, producers of sound recordings and video recordings, radio stations, television stations, etc. that exploit another person’s work in accordance with the relevant provisions of this Law may infringe upon the authors’ rights of authorship, revision or protection of the integrity of the works, or their right to remuneration.

Chapter IV Publication, Performance, Sound Recording, Video Recording and Broadcasting

Section 1 Publication of Books, Newspapers and Periodicals

Article 29 A book publisher who intends to publish a book shall conclude a publishing contract with, and pay remuneration to, the copyright owner.

Article 30 The exclusive right enjoyed by the book publisher in accordance with the agreement in the contract to publish a work that the copyright owner delivered to him for publishing shall be protected by law, and the work may not be published by others.

Article 31 The copyright owner shall deliver the work within the term specified in the contract. The book publisher shall publish the work in compliance with the quality requirements and within the term as specified in the contract.

The book publisher who fails to publish the work within the term specified in the contract shall bear civil liabilities provided for in Article 53 of this Law.

When the book publisher reprints or republishes the work, it shall notify the copyright owner of the matter and pay remuneration to him. If the publisher refuses to reprint or republish the work when the stock of the book is exhausted, the copyright owner shall have the right to terminate the contract.

Article 32 Where a copyright owner has submitted the manuscript of his work to a newspaper or periodical publisher for publication and has not received, within 15 days from the newspaper or within 30 days from the periodical publisher, counted from the date of submission of the manuscript, any notification of the said newspaper’s or publisher’s decision to publish the work, the copyright owner may submit the manuscript of the same work to another newspaper or periodical publisher for publishing, unless the parties have agreed otherwise.

Except where the copyright owner declares that no reprinting or excerpting of his work is permitted, a newspaper or periodical publisher may, after the work is published by another newspaper or periodical publisher, reprint the work or print an abstract of it or print it as reference material, provided that remuneration is paid to the copyright owner in accordance with relevant regulations.

Article 33 A book publisher may, with the permission of the author, revise or abridge the work.

A newspaper or periodical publisher may make editorial modifications and abridgments in the language of a work. Any revision in the contents of the work shall be subject to permission by the author.

Article 34 When publishing a work created by adaptation, translation, annotation, arrangement or compilation of a preexisting work, the publisher shall obtain permission from, and pay remuneration to, both the owner of the copyright in the work created by adaptation, translation, annotation, arrangement or compilation and the owner of the copyright in the preexisting work.

Article 35 A publisher shall have the right to permit another person to exploit, or prohibit such person from exploiting, the typographical design of the book or the periodical which he publishes.

The term of protection for the right specified in the preceding paragraph shall be ten years, expiring on December 31 of the tenth year after the first publication of the book or the periodical in which the typographical design is used.

Section 2 Performance

Article 36 A performer (an individual performer or a performing group) who exploits, for a performance, a work created by another person shall obtain permission from, and pay remuneration to, the copyright owner. Where a performance is organized by a person, the organizer shall obtain permission from, and pay remuneration to, the copyright owner.

Anyone who exploits, for a performance, a work created by adaptation, translation, annotation or arrangement of a preexisting work shall obtain permission from, and pay remuneration to, both the owner of the copyright in the work created by adaptation, translation, annotation or arrangement and the owner of the copyright in the preexisting work.

Article 37 A performer shall, in respect of his performance, enjoy the following rights:

(1) to claim performership;

(2) to protect the image inherent in his performance from distortion;

(3) to authorize others’ live broadcasting or communicating to the public of his performance, and receive remuneration therefrom;

(4) to authorize others’ making of sound recordings and video recordings of his performance, and receive remuneration therefrom;

(5) to authorize others’ reproduction and distribution of the sound recordings and video recordings of his performance, and receive remuneration therefrom
; and

(6) to authorize others’ making of his performance available to the public through information network, and receive remuneration therefrom.

A person who is authorized exploitation of a work in the manner provided for in Subparagraph (3) through Subparagraph (6) of the preceding paragraph shall, in addition, obtain permission from, and pay remuneration to, the copyright owner.

Article 38 No time limit shall be set on the term of protection for the rights provided for in Subparagraphs (1) and (2) of the first paragraph in Article 37 of this Law.

The term of protection for the rights provided for in Subparagraph (3) through Subparagraph (6) of the first paragraph in Article 37 of this Law shall be fifty years, expiring on December 31 of the fiftieth year after the performance takes place.

Section 3 Sound Recording and Video Recording

Article 39 A producer of sound recordings or video recordings who exploits, for making a sound recording or video recording, a work created by another person shall obtain permission from, and pay remuneration to, the copyright owner.

A producer of sound recordings or video recordings who exploits a work created by adaptation, translation, annotation or arrangement of a preexisting work shall obtain permission from, and pay remuneration to, both the owner of the copyright in the work created by adaptation, translation, annotation or arrangement and the owner of the copyright in the preexisting work.

A producer of sound recordings who exploits, for making a sound recording, a musical work of which a lawful sound recording has been made, may do without permission from the copyright owner, but shall, in accordance with regulations, pay remuneration to the copyright owner; no such work may be exploited where the copyright owner declares that exploitation is not permitted.

Article 40 When making a sound recording or video recording of a performance, the producer shall conclude a contract with, and pay remuneration to, the performer.

Article 41 The producer of a sound recording or video recording shall enjoy the right to authorize others’ reproducing, distributing or renting the sound recording or video recording or making it available to the public through information network and to receive remuneration therefrom. The term of protection for such right shall be fifty years, expiring on December 31 of the fiftieth year after the first completion of the recording.

Anyone who is authorized reproducing or distributing a sound recording or video recording or making it available to the public through information network shall, in addition, obtain permission from, and pay remuneration to, both the copyright owner and the performer.

Section 4 Broadcasting by a Radio Station or Television Station

Article 42 A radio station or television station that broadcasts an unpublished work created by another person shall obtain permission from, and pay remuneration to, the copyright owner.

A radio station or television station that broadcasts a published work created by another person may do without permission from, but shall pay remuneration to, the copyright owner.

Article 43 A radio station or television station that broadcasts a published sound recording may do without permission from, but shall pay remuneration to, the copyright owner, unless the parties have agreed otherwise. Specific measures in this regard shall be formulated by the State Council.

Article 44 A radio station or television station shall have the right to prohibit the following acts performed without its permission:

(1) broadcasting its programs; and

(2) making a sound recording or video recording of its programs and reproducing such recording.

The term of protection for the right specified in the preceding paragraph shall be fifty years, expiring on December 31 of the fiftieth year after the first broadcasting of a program.

Article 45 A television station that intends to broadcast a cinematographic work or a work created by a process analogous to cinematography, or a video recording produced by another person, shall obtain permission from, and pay remuneration to, the producer; in the case of a video recording, the television station shall, in addition, obtain permission from, and pay remuneration to, the copyright owner.

Chapter V Legal Liabilities and Enforcement Measures

Article 46 Anyone who commits any of the following acts of infringement shall, depending on the circumstances, bear civil liabilities such as ceasing the infringement, eliminating the bad effects of the act, making an apology or paying compensation for damages:

(1) publishing a work without permission of the copyright owner;

(2) publishing a work of joint authorship as a work created solely by oneself, without permission of the other co-authors;

(3) having one’s name mentioned in another person’s work in the creation of which one has taken no part, in order to seek personal fame and gain;

(4) distorting or mutilating a work created by another person;

(5) plagiarizing a work created by another person;

(6) exploiting a work for exhibition or film-making or in a manner analogous to film-making, or for adaptation, translation, annotation, or for other purposes, without permission of the copyright owner, except where otherwise provided for in this Law;

(7) exploiting a work created by another person without paying remuneration as one should;

(8) renting a cinematographic work or a work created by a process analogous to cinematography, computer software, or products of sound recording or video recording, without permission of the copyright owner or the owner of the rights related to the copyright, except where otherwise provided for in this Law;

(9) exploiting the typographical design of a published book or periodical, without permission of the publisher;

(10) live broadcasting, communicating to the public, or recording a performance, without permission of the performer; or

(11) committing other acts infringing upon the copyright and the rights related to the copyright.

Article 47 Anyone who commits any of the following acts of infringement shall, depending on the circumstances, bear civil liabilities such as ceasing the infringement, eliminating the bad effects of the act, making an apology or paying compensation for damages; where public rights and interests are impaired, the administrative department for copyright may order the person to discontinue the infringement, confiscate his unlawful gains, confiscate or destroy the copies produced through infringement, and may also impose a fine; where the circumstances are serious, the said department may, in addition, confiscate the material, tools and instruments mainly used to produce copies through infringement; and where a crime is constituted, criminal liabilities shall be investigated in accordance with law:

(1) reproducing, distributing, performing, presenting, broadcasting, compiling a work or making it available to the public through in
formation network, without permission of the copyright owner, except where otherwise provided for in this Law;

(2) publishing a book the exclusive right of publication in which is enjoyed by another person;

(3) reproducing or distributing a sound recording or video recording of a performance, or making a performance available to the public through information network, without permission of the performer, except where otherwise provided for in this Law;

(4) reproducing or distributing a product of sound recording or video recording or making it available to the public through information network, without permission of the producer, except where otherwise provided for in this Law;

(5) rebroadcasting a radio or television program or reproducing such a program without permission, except where otherwise provided for in this Law;

(6) intentionally circumventing or sabotaging the technological measures adopted by a copyright owner or an owner of the rights related to the copyright to protect the copyright or the rights related to the copyright in the work or the products sound recording or video recording, without permission of the owner, except where otherwise provided for in laws or administrative regulations;

(7) intentionally removing or altering any electronic rights management information attached to a copy of a work, a product of sound recording or video recording, etc. without permission of the copyright owner or the owner of the rights related to the copyright, except where otherwise provided for in this Law; or

(8) producing or selling a work the authorship of which is counterfeited.

Article 48 Anyone who infringes upon the copyright or a right related to the copyright shall pay compensation for the actual losses suffered by the right owner, or where the actual losses are difficult to calculate, pay compensation to the amount of the unlawful gains of the infringer. The compensation shall include the reasonable expenses that the right owner has paid for putting a stop to the infringement.

Where the actual losses of the right owner or the unlawful gains of the infringer cannot be determined, the People’s Court shall, in light of the circumstances of the infringement, decide on a compensation amounting to not more than 500,000 RMB yuan.

Article 49 Where a copyright owner or an owner of a right related to the copyright who can present evidence to prove that another person is committing, or is about to commit, an infringement upon his right, which, unless prevented promptly, is likely to cause irreparable harm to his legitimate rights and interests, he may, before taking legal proceedings, apply to a People’s Court for measures to order discontinuation of the infringement and to preserve property.

When dealing with the application specified in the preceding paragraph, the People’s Court shall apply the provisions in Article 93 through Article 96 and Article 99 of the Civil Procedure Law of the People’s Republic of China.

Article 50 In order to prevent infringement, a copyright owner or an owner of a right related to the copyright may, before taking legal proceedings, apply to a People’s Court for preserving evidence, where the evidence is likely to be missing or is difficult to obtain later.

After accepting the application, the People’s Court shall make a ruling within 48 hours. Where it rules to adopt preservation measures, it shall have the measures enforced immediately.

The People’s Court may order the applicant to provide a guarantee, and shall reject the application where the applicant fails to do so.

Where the applicant fails to take legal proceedings within 15 days from the date the People’s Court adopts the preservation measure, the People’s Court shall terminate the measure.

Article 51 When trying a case where the copyright or a right related to it is infringed upon, the People’s Court may rule to confiscate the unlawful gains, the products of infringement and money and things of value used for illegal activities.

Article 52 A publisher or a producer of reproductions who fails to prove that he is legally authorized publishing or producing of the reproductions, or a distributor of reproductions or a renter of reproductions of a cinematographic work or a work created by a process analogous to cinematography, computer software, sound recording or video recording who fails to prove the legal source of the reproductions that he distributes or rents, shall bear legal liabilities.

Article 53 Any party who fails to perform his contractual obligations, or performs them at variance with the agreed conditions in the contract, shall bear civil liabilities in accordance with the relevant provisions of the General Principles of the Civil Law of the People’s Republic of China, the Contract Law of the People’s Republic of China and other related laws.

Article 54 Any dispute over copyright may be settled through mediation, it may also be submitted to an arbitration body for arbitration under a written arbitration agreement between the parties or under the arbitration clause in the copyright contract.

Any party may take legal proceedings directly in a People’s Court where there is neither a written arbitration agreement between the parties nor an arbitration clause in the contract.

Article 55 Any party that is not satisfied with an administrative penalty, may taking legal proceedings in a People’s Court within three months from the date he receives the written decision on the penalty. Where the party neither takes legal proceedings nor implements the decision at the expiration of the time limit, the administrative department for copyright may apply to the People’s Court for enforcement.

Chapter VI Supplementary Provisions

Article 56 The term zhuzuoquan (copyright) as used in this Law means banquan commonly used in the country.

Article 57 The term publish as used in Article 2 of this Law means reproducing and distributing of a work.

Article 58 Measures for the protection of computer software and of the right of communication through information network shall be formulated separately by the State Council.

Article 59 The rights of copyright owners, publishers, performers, producers of sound recordings and video recordings, radio stations and television stations, as provided for in this Law, shall, if the term of their protection specified in this Law has not yet expired on the date this Law goes into effect, be protected in accordance with this Law.

Any act of tort or breach of contract committed prior to the date this Law goes into effect shall be dealt with in accordance with the relevant regulations or policies in force at the time when such act was committed.

Article 60 This Law shall go into effect on June 1, 1991.
============================================

Regulation on the Implementation of the Copyright Law of the People’s Republic of China
 
Promulgation date: 08-02-2002
Effective date: 09-15-2002
Department: STATE COUNCIL OF CHINA
Subject: COPYRIGHT

——————————————————————————–
order of the State Council of the People’s Republic of China (No. 359)

The Regulation on the Implementation of the Copyright Law of the People’s Republic of China is hereby promulgated for implementation as of September 15, 2002.

垃圾广告骚扰郑老师

  今天写东西参考到郑成思老师的书,想起他过早地走了,不免又有点难过,随手翻了一下我blog上有关他去世的日志,点进悼念留言中,却发现里面从第215页开始到第296页,充斥着垃圾广告。。。。唉,这个垃圾广告,不能靠技术手段(道高一尺,魔高一丈),只能靠法律制裁——很简单,根据现在的广告法,这些广告全都没有广告许可证,只要是商业广告,就应该行政处罚。再联想起采用Opt-In原则的中国反SPAM立法,难道又是了一个“高标准、难要求”的摆设?工商局招不招人?给我台上网的电脑和官袍,我帮你们挣罚款……

 

Case: No fault even mis-lading goods

 Case Name:

New National Assurance Company Limited Vs. Shanghai RIJIN-TOP Express International Forwarding Co., Ltd.
 
Citation:
Shanghai Maritime Court of PRC (SMC), Civil Judgment (2004) TMC (Chu) No. 492
Judges: Xin Hai (C. J.), Qian Xu, Sun Ying-wei
Date: 21 April 2005
 
Rules:
If the shipper did not notified the carrier the special features of the goods, the carrier should not be liable to the damages even there was an inappropriate lading by the carrier and/or his employees for no fault were found in the case.
 

Not LOG, But Publication: A Feature of Cn Blawgs

Title: Not BLOGs, But Publications: A Feature of Chinese Blawgsphere
Ver.:  1.1
Date: 20060624
By: Donnie H. DONG (http://blawgdog.com)
Licence: CC: by-nc-sa
For China Blawg Review Vol. 1 (Click here to JOIN US)

The number of Chinese blawgs  (NOT China Blawgs in English, BUT Blawgs in Chinese) is increasing in a geometrical rate. It is an impossible mission to surf all the blogs, so no one dare to say that he/she has grasped all the exactly features of Chinese blawgs, me neither. However, if you are a bilingual reader (Even not so fluent in Chinese or English, like me), and you are interested in the blawgsphere for a certain period (say, two months), I believe you may at least discover SOME characteristics of Chinese Blawgs, me either.

What I find in Chinese blawgs is: A good many of them are actually not "blogs" but  online academic magazines. The following list can be an empirical example, which is a part of the list of today’s "hot posts" in the index page of Law Blog (http://www.fyfz.cn), a well-known site providing blawg service. The topics are oringinally in Chinese, so I translated them roughly.

One Must Regard the People’s Indignation Seriously 
The Translation of Surya Prakash Sinha’s Jurisprudence (Part 83)
Deng Zheng Lai: Preface for Silhouettes of Chinese Lawyers in 100 Years (Author: Chen X. H.)
My Opinion on the Legislation of Lawyer’s Fee
A bit Coolness in this Hot Summer
A Discussion with Prof. Lin: On the Legislation of…
Beijing, What Makes You So Luxurious
Feelings during Supervising the theses
A Facet for Constructing in the Regime of Administrative Aidance
Some Ideas in Reading
The Distance to the Humanism in Our Legal Education
The Ideology of Entertainment
Constitution-Government-Market: A New Analytic Approach of Consti-Economic
Patents Will Never Be Unlawful Registered
The Rule of Law is the Base of the Democracy
A Benificial Attempt in the Study of Civil Law
The Issues on Gender and Minorites among the U.S. Legal Professionals
……

Most of the above topics are as serious as articles in law journals, and after clicking the links, one will find that the contents of the posts are mostly in very formal formats and with very academic tones. In my view, these posts are NOT LOGs, BUT PUBLICATIONs.

One may get further evidences of this feature easily. Academic theses with dozens of footnotes appeared frequently in Chinese blawgs. Some sites have been turned to be a collection of academic works: "blawggers" classified their "logs" with names of famous researchers, then uploaded bunches of those researchers’ academic achievements.

At the same time, some features of classical blogs are missing. While copy other’s articles entirely onto their sites, few Chinese blawggers employ copyright licences like those of Creative Commons (that means these blawgs reserved all their own right). The typical logs that embedded links navigating readers to further related web pages are rare. Chinese blawggers are not used to "log" what happens every day but keep uploading their (or others’) formal publications.

The owners of most popular Chinese blawgs are mainly researchers. Some famous law professors have their own blawgs, such as Deng Zheng-Lai, He Wei-fang, Lin Lai-fan, Xie Hui, etc. Among them, prof. Xie Hui and Prof. Lin Lai-fan’s blawg follow the suit of classical blogs: they post diaries, sentiments, scribbles and even poetries on their blawg site. But their style are not standing on the mainstream.

In another log, I will discuss why many Chinese blawgs represent themselves not logs but publications. Here gose the influences of this characteristic. To readers are looking for research materials, libraries are better than caffs. A researcher may find many useful references from Chinese blawgs and some times he even need not follow the links – blawggers copy the articles entirely! To readers are interested in Chinese lawyer’s life, however, they may feel disapointed. There are not so many practical cases as well as practice experiences be shared in Chinese blawgsphere. Solicitors, barristers and attoneys are still standing in the corners of the blawg club.